Pre-WW II acclaimed English photographer of 'humanist landscapes'; later concentrated on painting and textile design, as a result of concern over the ethics of documentary photography; his preoccupation with the environment is reflected in a number of later paintings, such as:
Gravel Pit, 1968
Cornish Tin Mines, 1969 and 1971
Reedy Pool, Essex, 1969
His love of unspoilt nature is seen in:
Donegal Coastscape, 1969
Donegal Landscape, 1969
Walled Landscape, Kerry, 1969.
Copyright permission has kindly been granted by Rachel Spender.